I’m talking the prevalent middle-of-the-road, I came, I ate, I wrote about it reviews. These reviewers need to turn in their stained lobster bibs, toss their tiny notepads and Roget’s Thesauri onto a sacramental pyre and be fitted with hair shirts where they must trek the wilderness along with other equally useless professions, such as personal shoppers, those lab coated scientists who inject Maybelline into the eyes of bunnies, and Gwyneth Paltrow’s publicist.
While I’m at it, let me also propose there are two schools of thought when it comes to well-prepared food. There is, what I shall call, the Tom Colicchio school, which stresses the classics, harmonious flavors, balanced seasoning, and simplicity (but not simplistic), a straightforward cuisine with no curveballs. Sounds easy, right? Not exactly. Ask anyone who has ever stepped a Croc into a kitchen. In contrast to that, is what I’ll call the Ferran Adria school (he of the trendy global influence). The poet Ezra Pound, by way of Confucius, urged others to ‘Make It New’ and that’s what this camp does, pushing food to 11, like this:
Which brings me finally to chef Carrie Nahabedian and her place Naha, which has garnered national attention and is within spitting distance from more famous Rick Bayless’ Frontera/Topolobampo, but in every way its equal. (Naha purportedly has a Cali-Mediterranean influence but I only see this tangentially; it is, generally speaking, that catch-all “American” food, grounded in seasonal, locally-sourced product.)
The dish I’d like to focus on seems to me to be a wonderful blend of the two camps I’ve described, although chef Nahabedian seems to have more taste buds in the Tom Colicchio corner than the Ferran Adria (in no way is this a value judgment).
Here is the description as found on the menu (on the LTH forum, a member of the grammar police indicted her for her liberal use of arbitrary quotation marks and, though at first a bit odd, I found them to be charming and emphatic):
And a pic:






